Introduction to Film Studiesis a comprehensive leading textbook for students of Lawrence Napper, Jill Nelmes, Patrick Phillips, Suzanne Speidel, Paul Ward. Buy Introduction to Film Studies 5 by Jill Nelmes (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery on eligible orders. An introduction to film studies / edited by Jill Nelmes Nelmes, Jill, Audience: Adult; Summary: This is a comprehensive textbook for students of cinema.

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Introduction to Film Studies

We use cookies to give you the best possible experience. By using our website you agree to our use of cookies. Dispatched from the UK in 3 business days When will my order arrive? Home Contact Us Help Intfoduction delivery worldwide. Introduction to Film Studies. Description Introducrion to Film Studies is a comprehensive textbook for students of cinema.

This completely revised and updated fifth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas.

A range of theories and theorists are presented from Formalism to Xtudies, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including two new authors for the fifth edition. A wide range of films are analysed and discussed. It is lavishly illustrated with film stills and production shots, in full colour throughout.

An introduction to film studies / edited by Jill Nelmes – Details – Trove

Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it will be essential reading for any introductory student of film and media studies or the visual arts worldwide. Key features of the fifth edition are: The Best Books of Check out the top books of the year on our page Best Books of Product details Format Paperback pages Dimensions x x Looking for beautiful books?

Visit our Beautiful Books page and find lovely books for kids, photography lovers and more. The Industrial contexts of film production, Searle Kochberg 2. Getting to the Bigger Picture, Patrick Phillips 4.


Film Form and Narrative, Susan Spiedel 5. Spectator, Audience and Response, Patrick Phillips 6.

Approaches to Cinematic Authorship, Paul Nill 7. Genre theory and Hollywood Cinema, Paul Watson 9. The Documentary Form, Paul Ward Gender and Film, Jill Nelmes Lesbian and Gay Cinema, Chris Jones British Cinema, Lawrence Napper Indian Cinema, Lalitha Gopalan Latin American Cinema, Linda Craig Review quote “Introduction to Film Studies remains an indispensible text for entry-level students, and is also a very good source of general reference for more advanced students.

The book has definitely evolved from its first edition and has a more comprehensive feel, with more detailed summaries of academic arguments and developed references to fields of study that make it useful to return to as your studies advance.

An Introduction to Film Studies

Inroduction the book I was struck by how things have changed since the appearance of the first edition, and how the editor and contributors have kept up with those changes without losing touch with the rich history of cinema that informs contemporary developments.

We will continue to recommend Introduction to Film Studies studise our qn students and it will be required reading at entry level. Harvey O’Brien, University College Dublin, Ireland “Nelmes’ Introduction to Film Studies perfectly combines introducing students to film as an object of study and to the various ways that film can and has been analyzed within the academy. Its balance between defining film form terminology and providing a history of film with more current film theories is perfect for the course I teach, which includes film studies concentrators and many generally interested students from other disciplines looking for an elective.

The text’s interdisciplinarity allows me to teach film in meaningful ways to a broad array of students. It also strikes a nice balance between providing sometimes difficult concepts in theorists’ original language and explicating the significance of the passages in language students can more comfortably understand.

More practically, each chapter serves as a model of analysis and the studles for discussion, and suggested further readings introductlon viewings as well as related internet resources allow me to construct assignments that engage the students more fully in the areas they are interested.


The case studies are perfect for smaller assignments, and the broader theoretical models can be turned into term projects. The text’s applicability of methodology to films and movements as well as other areas of study, e.

The new and detailed discussion of contemporary film technology is a welcome addition, bringing to the fore a frequently neglected topic that today’s students are eager to explore. First Edition “Simply the best introductory volume in the field so far. An admirable synthesis of historical, social and theoretical considerations of cinema, presented in an engaging and accessible manner.

The revised edition keeps stufies with changes in technology and the discussions of Hollywood are particularly illuminating I highly recommend this text. Illustrations are plentiful and all important concepts and terminology are accessibly explained.

I encourage students to make it their top priority reading. The extended range of chapters, which are carefully chosen, display up-to-date scholarship using many recent films and provide a fully rounded and extended introduction to film studies.

It offers a fresh perspective on the subject and in an age saturated by the moving image helps us to navigate some difficult terrain. The fourth edition furthers this study through revising existing chapters and adding critical new research of this compelling medium.

Her research interests include gender nnelmes film and screenwriting. Book ratings by Goodreads. Goodreads is the world’s largest site for readers with over 50 million reviews.

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